https://abdullahminiawy.com/mobile
2026-09-05T10:28:45+00:00
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https://abdullahminiawy.com/mobile2026-2027
2026-09-05T10:27:06+00:00
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https://abdullahminiawy.com
2026-09-05T10:27:06+00:00
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https://abdullahminiawy.com/selected-work
2026-09-05T10:27:06+00:00
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https://abdullahminiawy.com/records
2026-09-05T10:27:06+00:00
always
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Dying Is The Internet, March 12, 2026 on Dekmantel
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Nigma Enigma, November 15, 2024 on Hundibess
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Shoot the Engine, May 9, 2024
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Dying Is The Internet, March 12, 2026 on Dekmantel
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https://freight.cargo.site/t/original/i/D3104094685463298707431106399451/a2637908581_10.jpg
<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">The Act of Falling from the 8th Floor, September 6, 2019 on WHITIES
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Notice a Tiny Scratch for the Blue Behind, February 10, 2022 on ULLLU
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Kill Me or Negotiate, October 16, 2020 on BFDM
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https://freight.cargo.site/t/original/i/M3104094685537085683725944605915/ab67616d0000b273672026f6f14a4d9ce6941d0b.jpg
<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">A Sorcerer or a Madman, June 28, 2024 on Planet Rouge
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Eyeroll, July 28, 2023 on HAKUNA KULALA
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Peacock Dreams, May 23, 2025 on pplsongs
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Childhood Passed in a Blink, October 31 2025 on pplsongs
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Between the Bullet and the Front Sight, Casting Lots, February 25, 2022 on Molten Moods
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Shipster, January 19, 2018 on Permanent Vacation
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Le Cri du Caire, January 27, 2023 on Les Disques du Festival Permanent
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Darraje, January 1, 2016 on The Triology Tapes ‘TTT’<br />
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<div style="text-align: left"><span style="color: rgba(255, 255, 255, 0.75);">Extinguishing the City of Light, January 17, 2022
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https://abdullahminiawy.com/videogame
2026-09-05T10:51:25+00:00
always
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<div style="text-align: left"><span style="color: rgb(255, 255, 255); --font-scale: 0.92;">
Abdullah Miniawy, driven by an expansive dedication to art-making, moves fluidly across disciplines shifting from early experiments in videogame design to poetry, performance, and hybrid sonic practice. Nigma Enigma marks a new chapter: an immersive walk through his album of the same title, released on Hundibess and entirely programmed, sculpted, and rigged by Miniawy. Over the past five years, he has built a technical vocabulary through C++, Unreal Engine, and iClone, shaping the project’s visual and interactive language. The work was presented at the National Museum of Science in Sweden on 26.09.2025 and on several occasions, where it received a notably strong response from the audience.
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https://abdullahminiawy.com/trio
2026-09-05T10:51:25+00:00
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<span style="--font-scale: 0.91;">Watch the Abdullah Miniawy Trio activate the Musée de Grenoble in a new video work filmed by Henri Nun and co-directed with Miniawy. The trio continues its forward momentum following the release of the stunning <i>Peacock Dreams</i>, an independently released album that pushes the intersection of electronic and baroque sound. Building on years of transforming MIDI fragments, harmonies, and digital textures into physical, acoustic choreography, their practice remains an ongoing process of experimentation. This approach has brought them to leading platforms including Unsound, the Venice Biennale, and CTM Festival. As they look toward 2026, the trio is developing a second album. watch <a href="https://www.youtube.com/watch?v=i6VBu1vGBEw" target="_blank"><here></a></span><br />
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https://abdullahminiawy.com/rahma
2026-09-05T10:51:26+00:00
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<div style="text-align: left"><span style="color: rgb(255, 255, 255);"><span style="--font-scale: 0.91;"><i>The evens, Rahma</i>, a live performance developed with a flutist and a whistler. The work explores the temporal and expressive qualities of breath and wind, unfolding through a fragile interplay of voice and instruments. Drawing on bird calls and the tonal language of the flute, the performance builds through imitation, repetition, and variation. The act of calling becomes central, shaping a shared sonic space oriented toward listening and gathering. Spanning music, poetry, and performance, Miniawy’s practice often engages with political voice and collective experience. The artist’s work is shaped by his early involvement in the Egyptian revolution and subsequent collaborations across experimental music contexts.</span> <br />
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https://abdullahminiawy.com/dying-is-the-internet
2026-09-05T10:51:26+00:00
always
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<div style="text-align: left"><span style="color: rgb(255, 255, 255); --font-scale: 0.96;">Dying is the internet finds Miniawy experimenting with auto-tune across the record, while Cell has developed his voice design chops and compositional instincts, moving closer to fully realised song structures without losing the fundamental 'clubbiness' of each track. The result is a cohesive, wildly original kind of heavyweight dance music that slings out hooks left right and centre, from Miniawy's laconic trumpet looming through low-slung 'Reels in 360' and 'Travelling In BCC' to the persistent handclaps that bring 'Living Emojis' to life. Miniawy's poetry explores the power of insistent, repeated phrases in a break from his more typically structured form.<br />
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https://abdullahminiawy.com/duo
2026-09-05T10:51:26+00:00
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Niño de Elche is recognized as one of the great innovators of contemporary flamenco. In his collaborations with Franco-Egyptian poet and singer Abdullah Miniawy, he creates a dialogue where lyrics and cries, silence and sound, echo and respond to one another. Their music becomes a journey to the heart of the desert a metaphor for exile, inner quest, and the encounter between different traditions.
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https://abdullahminiawy.com/nigma-enigma
2026-09-05T10:51:26+00:00
always
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My solo work is an escape of freedom. It’s the first time in my career, after years of collaboration with many artists and compromising what I feared to share. I came out with the first tools I used before working with others to put together a record inspired from nothingness with what I have next to me spontaneously, raw but direct as a child’s first words. A call to play all roles at once. A raw state of improvisation. I found salvation in the first tools I used: nature, voice and software.<br /><br />Nigma means a star in Egyptian dialect—written like this نجمة . Enigma is the dilemma of the dialogue. It is research through voice, modulars, radio station samples, and walks at lonely nights in Paris that brought me to question my art again. The work envisions an Opera for Muslims, falling in untouched definitions such as Paradise and Inferno, which cross and match with Coptic culture, Christianity, Islam, Judaism, and The Divine Comedy, where I stare at Dante handing me with his popped eyes a new cape, this time in white.
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<a href="https://abdullahminiawy.bandcamp.com/album/nigmaenigma" style="color: rgb(0, 34, 255);" target="_blank">Link </a><br />
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My solo work is an escape of freedom. It’s the first time in my career, after years of collaboration with many artists and compromising what I feared to share. I came out with the first tools I used before working with others to put together a record inspired from nothingness with what I have next to me spontaneously, raw but direct as a child’s first words. A call to play all roles at once. A raw state of improvisation. I found salvation in the first tools I used: nature, voice and software.<br /><br />Nigma means a star in Egyptian dialect—written like this نجمة . Enigma is the dilemma of the dialogue. It is research through voice, modulars, radio station samples, and walks at lonely nights in Paris that brought me to question my art again. The work envisions an Opera for Muslims, falling in untouched definitions such as Paradise and Inferno, which cross and match with Coptic culture, Christianity, Islam, Judaism, and The Divine Comedy, where I stare at Dante handing me with his popped eyes a new cape, this time in white.
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<a href="https://abdullahminiawy.bandcamp.com/album/nigmaenigma" style="color: rgb(0, 34, 255);" target="_blank">Link </a><br />
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https://abdullahminiawy.com/about-me-1
2026-09-05T10:27:06+00:00
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2026-09-05T10:27:06+00:00
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2026-09-07T11:18:50+00:00
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